Lighting Designer
A lighting designer of over 12 years experience, mainly in contemporary dance but also in theatre, live music and film. He has worked with artists and organisations such as Hofesh Shechter, Rambert Dance Company, English Touring Theatre, Rafael Bonachela, The Roundhouse, Jonathan Burrows, Watford Palace Theatre, Darren Ellis, Iain Forsythe & Jane Pollard, and The Gate Theatre.
So far in 2011 Lee has lit the ETT/Watford Palace production of Great Expectations (dir. Nikolai Foster), The Fat Girl Gets a Haircut and other stories at The Roundhouse, London (dir. Mark Storor), and he is currently working on Hofesh Shechter's Political Mother - The Choreographer's Cut. In addition to his lighting design, Lee is Head of Technical at the Institute of Contemporary Arts (ICA) in London, UK. Lee has lit Sticks and Bones, 2009 and From the Waist Up, 2010 for Darren Ellis Dance
A lighting designer of over 12 years experience, mainly in contemporary dance but also in theatre, live music and film. He has worked with artists and organisations such as Hofesh Shechter, Rambert Dance Company, English Touring Theatre, Rafael Bonachela, The Roundhouse, Jonathan Burrows, Watford Palace Theatre, Darren Ellis, Iain Forsythe & Jane Pollard, and The Gate Theatre.
So far in 2011 Lee has lit the ETT/Watford Palace production of Great Expectations (dir. Nikolai Foster), The Fat Girl Gets a Haircut and other stories at The Roundhouse, London (dir. Mark Storor), and he is currently working on Hofesh Shechter's Political Mother - The Choreographer's Cut. In addition to his lighting design, Lee is Head of Technical at the Institute of Contemporary Arts (ICA) in London, UK. Lee has lit Sticks and Bones, 2009 and From the Waist Up, 2010 for Darren Ellis Dance
