Lighting Designer
Guy’s collaboration with Darren Ellis Dance has been a long standing one; initially Guy designed No More Ghosts, 2009 and most recently collaborating with Darren on After Effects, 2011.

Dance includes: Love & War, Sea of Bones, Bad History, Green Apples, Dive (Mark Bruce Company); Bruise Blood, Flicker (Shobana Jeyasingh Dance Company); The Land of Yes, The Land of No, Square Map of Q4 (Bonachela Dance Company); And Who Shall Come to the Ball? (Candoco); About Around, This Moment is Your Life, The Diminishing Present (bgroup); Odyssey (Krische /Wright); Havana Rakatan (Sadler’s Wells); Mischief (Theatre Rites); No More Ghosts, (Richard Alston Dance Company); Sivaloka (Atma Dance); Me+You=5 (Robin Dingemans); Show, Orange Gina, Sleep Talking, Allow Me, Flap, Bye, Spirit Level, Lonely Hearts/Suspicious Minds (The Snag Project), Viking Shoppers (Igloo); Green In Blue, Little Red, Tiger Dancing, How I Look, Expression Lines, Seen of Angels, Second Signal, White Space, Dido & Aeneas, Finale, FPS, Frontline, In Broken Tendrils, Shot Flow, Melancholy Thoughts, A Moment of Give, Prime Origin, Ilé Ayé (Henri Oguike Dance Company). Theatre includes: Peter Pan, Be Near Me (NTS); Serenading Louie (Donmar Warehouse); A Delicate Balance, Waste (Almeida); Othello (West End); Future Proof (Traverse Theatre, Edinburgh);Electra (The Gate Theatre); Faith Healer (Bristol Old Vic); A Christmas Carol, The Lion, the Witch and the Wardrobe (Birmingham Rep); As You Like It, Bollywood Jane, Macbeth , How Many Miles to Basra? (West Yorkshire Playhouse); Kes, Season’s Greetings, (Liverpool Playhouse); Amadeus, The Little Fir Tree, Fen, Far Away, Macbeth (Sheffield Theatres); Of Mice and Men (Mercury Theatre, Colchester); A Streetcar Named Desire (Clwyd Theatr Cymru); Zero Degrees and Drifting…, Could It Be Magic? (Unlimited Theatre) Opera includes: The Cunning Little Vixen, (National Theatre Brno); Il Tabarro, Gianni Schicchi, La Clemenza di Tito, Fantastic Mr Fox, Promised End, The Duenna, The Magic Flute, Katya Kabanova, Don Giovanni, Anna Bolena, Susannah, The Seraglio, Eugene Onegin (English Touring Opera); The Ring Cycle, The Magic Flute, Cosi Fan Tutte, The Marriage of Figaro, Tosca, Hansel and Gretel (Longborough Festival Opera); Names of the Dead (Battersea Arts Centre) Musicals include: The Witches of Eastwick, All the Fun of the Fair, Aspects of Love (UK tours); Assassins (Sheffield Theatres);My Fair Lady (Singapore); City of Angels (Frankfurt)

Lighting Designer
A lighting designer of over 12 years experience, mainly in contemporary dance but also in theatre, live music and film. He has worked with artists and organisations such as Hofesh Shechter, Rambert Dance Company, English Touring Theatre, Rafael Bonachela, The Roundhouse, Jonathan Burrows, Watford Palace Theatre, Darren Ellis, Iain Forsythe & Jane Pollard, and The Gate Theatre.

So far in 2011 Lee has lit the ETT/Watford Palace production of Great Expectations (dir. Nikolai Foster), The Fat Girl Gets a Haircut and other stories at The Roundhouse, London (dir. Mark Storor), and he is currently working on Hofesh Shechter's Political Mother - The Choreographer's Cut. In addition to his lighting design, Lee is Head of Technical at the Institute of Contemporary Arts (ICA) in London, UK. Lee has lit Sticks and Bones, 2009 and From the Waist Up, 2010 for Darren Ellis Dance

Costume Designer
Design Credits for Darren Ellis Dance include, From the waist up, 2010, Dust and Scratches (Shift Youth) 2010, Chorea Magna (EDge) 2009.

Hannah began her training in dance at Elmhurst Ballet School. From Elmhurst she went on to continue at London Contemporary Dance School where she completed a BA (Hons) degree and her MA in dance. Film credits include, excerpt included in Diaghilev and the Golden Age of the Ballet Russes, and Reassemble, Alcada 2009. Hannah is currently dancing with the Richard Alston Dance Company.